After winning Best Picture (in one of the most memorable award announcements in recent memory) for his first high profile feature Moonlight, all eyes were on Barry Jenkins. What would he do next? Would he be able to follow it up with another groundbreaking hit? The answer is a resounding yes with If Beale Street Could Talk.
Vice is Adam McKay’s vicious take-down of the man who single handedly forced America into a never ending war with the middle east and pushed those of us who aren’t billionaires into financial ruin. Or is it simply about Dick Cheney, the dirtbag turned loving husband and father who always puts his family first no matter what? I suppose it depends on how you look at it.
Michael Bay’s Transformers franchise has had an interesting trajectory from genuinely pretty damn good adaptation of the popular children’s toys to industry punchline (“You probably only like Transformers movies” is a popular diss among cinephiles), to absolute self parody with the last entry, Transformers: The Last Knight. So when word came out that Bumblebee would be a sort of reboot, I think those of us who were paying attention were cautiously optimistic. But who would have thought that it would end up being the blockbuster with the most heart of 2018?
A period drama/comedy starring Rachel Weisz and Emma Stone… It’s no wonder those old conservative people I watched walking out of the theater after the 20th use of the C-word had no idea what they were getting themselves into… But add the words R-rated and “from director Yorgos Lanthimos” and they really should have known that The Favourite might not be for them.
This is a weird one to review… Deadpool 2 came out earlier this year. But it’s time for the holidays and what better way to celebrate than with a completely random PG-13 cut of the otherwise heavily R-rated superhero film, complete with a new framing story featuring Fred Savage parodying his situation from The Princess Bride… What now?
When young Joe asks his mother Jeanette what happens to the wild animals during a forest fire, she responds matter-of-factly that they adapt, and that it’s not worth crying over. This sums up actor Paul Dano’s directorial debut, Wildlife, based off the novel by Richard Ford.